My wife, god
love her, thinks I'm capable of ANYTHING. ANY. THING.
Jim, if you
want to be a writer. . . you should do it. Jim, if you want to be an artist,
you should do it. Jim, if you want to be a brewer, you should do it. All of
which is SPECTACULARLY supportive, but not grounded necessarily in reality,
because I am not convinced of two things, the first of which is this: that she
is qualified to adequately judge my ability to write . . . or more accurately,
"be a writer". The second is that I myself am not qualified to
adequately judge my ability to write.
I HAVE some
experience in the field of failure, you see. Apart from writing (the
manifestation of which is almost solely this blog) I used to like to draw. When
I was a little boy I sketched everything and anything. As I got older, and
drawing pictures got less "cool" I slowly decreased the frequency of
my drawing. It trickled down to doodling until I eventually stopped even that,
but it had always been something that I'd enjoyed. And so when my friend Gino
and I were discussing drawing, I was very excited by the possibility that I
could draw for his company. Gino, you see, is a movie makeup artist. He sculpts
the fantastical creatures that I proposed hypothetically inventing in drawing
form. Gino had encouraged me to show him what I could do, because his makeup
and effects company (which does movie make up and effects for damn near any big
budget movie in industry that is not driven by CGI) was looking for a new
artist/designer. And it wasn't his fault I was excited. There were no false
hopes, he just asked if I felt I could draw up to the standard of, say, a comic
book illustrator. I felt I could. (have you SEEN comic book art lately?
Possibly I had not).
My wife, god
love her, was CONVINCED it was my calling. It would have been AWESOME. I WOULD
have loved it. I started to get a little excited. Gino is blessed. He is a
talented artist who LOVES what he does. There are very few callings that I can
say I would be PASSIONATE about pursuing. . . but this was one. So i passed
some sketches off to Gino to review.
It took
longer than I expected. In hindsight, I suspect he was reluctant to relay bad
news. Gino is a PRINCE. A friendlier, more outgoing, more genuine person, you
will likely never meet. He essentially said, in the kindest of terms. . . these
aren't good enough. He constructively suggested that I take art classes to work
on my perspectives. . . something I've never done. . . and he was RIGHT to
suggest it. But I was disappointed nonetheless. VERY disappointed. I didn't cry
or get all mopey or anything, but it sunk like a cinder in snow inside my chest
and I essentially tried to ignore it back into nonexistence. I had it in my
head, you see, that I'd won the lottery. I'd already started to fantasize my
success. My calling!
So here I am.
Again at the brink of a decision. . . try to write something? A book? Writing
is art/entertainment. If you can tell a story you can write. You don't HAVE to
know the mechanics. . . at least the mechanics aren't what make you a good
writer, the creation of a good story is. At least in my opinion.
Writing is
very personal to me. Very much "laying it out there". I take
criticism of my writing relatively poorly, though I think I'm objective enough
to recognize valid criticism (perhaps given enough time to calm down and
consider it rationally). You have only to look back a few months to some
criticism of my BLOG to realize how thin-skinned I can be. And that's just a
stupid little blog.
So some of
the people in my little
circle of friends, god bless them, think I'm capable of being a writer. I
would LOVE to be a writer.
BUT
There is a
part of me that is happy in my safe little "I could write if i WANTED
to" haven. That part doesn't want to cross the boundary into the "I
tried to write, but was told I didn't have what it took" realm. My writing
ability is currently limitless. I'm a fucking GENIUS and an OCEAN of untapped
potential.
today. . .
Tomorrow. . .
mediocre (or. . . worse, "bad") writer?
In "Of
Human Bondage" by Somerset Maugham the main character, Philip is studying
painting in Paris.
He's doing alright with it. He's poor though, and really needs guidance. He
finally approaches his instructor, I'm going to cut some of the paragraphs from
this little passage of the book, but leave in the applicable passages. . .
"I'm
very poor. If I have no talent I would sooner do something else."
"Don't
you know if you have talent?"
"All my
friends know they have talent, but I am aware some of them are mistaken."
*THIS is what
I'm afraid of. . . I think I DO have talent. . . but I'm aware I may be
mistaken.*
"You
shall show me your work."
"Now?"
cried Philip.
"Why
not?"
Philip had
nothing to say. He walked silently by the master's side. He felt horribly sick.
It had never struck him that Foinet would wish to see his things there and
then; he meant, so that he might have time to prepare himself, to ask him if he
would mind coming at some future date or whether he might bring them to
Foinet's studio. He was trembling with anxiety. In his heart he hoped that
Foinet would look at his picture, and that rare smile would come into his face,
and he would shake Philip's hand and say: "Pas mal. Go on, my lad. You
have talent, real talent."
*THAT, of
course, is my secret dream. Foinet then reviews Philips work. . . *
"You
have very little private means?" he asked at last.
"Very
little," answered Philip, with a sudden feeling of cold at his heart.
"Not enough to live on."
"You
have a certain manual dexterity. With hard work and perseverance there is no
reason why you should not become a careful, not incompetent painter. You would
find hundreds who painted worse than you, hundreds who painted as well. I see
no talent in anything you have shown me. I see industry and intelligence. You
will never be anything but mediocre."
"I'm
very grateful to you for having taken so much trouble. I can't thank you
enough."
Monsieur
Foinet got up and made as if to go, but he changed his mind and, stopping, put
his hand on Philip's shoulder.
"But if
you were to ask me my advice, I should say: take your courage in both hands and
try your luck at something else. It sounds very hard, but let me tell you this:
I would give all I have in the world if someone had given me that advice when I
was your age and I had taken it."
Philip looked
up at him with surprise. The master forced his lips into a smile, but his eyes
remained grave and sad.
"It is
cruel to discover one's mediocrity only when it is too late. It does not
improve the temper."
I need a
Monsieur Foinet. Maybe need is too strong a word. I don't NEED it, but wouldn't
it be nice? I really enjoy writing the blogs. I'd LOVE to be able to parlay it
into something else. I'd love to write for a living, say. But I frankly don't
know that I'm qualified (talented enough). And I frankly don't know if the
people who say I am are qualified to determine that.
Gino provided
me with some guidance on the drawing end. He was not unkind. He never intimated
that I'd NEVER be able to draw for a living. . . he just said I wasn't
CURRENTLY able to do so. That was enough for me. I hadn't drawn for years, I
certainly was not going to redouble my efforts at reviving a mediocre skill for
no reason. Now I satisfy myself with a pencil sketch of something here or there
once a year or so. I love doing it, but it's for me or my friends or family,
because I don't feel comfortable sharing it with the public. It's hard to be
criticized for something you really put your time into. Something that came
from you. Something you created.
Anyway, it's
not as if I have a novel in my head to write if I decided to write a novel.
There's no story BURNING its way out of me. And maybe that's what decides it.
What's the point of FORCING the issue when you're 1) not convinced you're even
talented enough to do it, and 2) you have nothing to bring to the table. I
mean, the disappointment would be twice as bad if I actually put the time and
effort into hundreds of mediocre pages only to be rejected.
One last
sidebar. . .
And I know
I've said this before. . . I have tried my best to raise my kids not to
overlook things that seem fun just because they're afraid to look stupid. When
my kids are with me I attempt cartwheels and sing loudly and dance the electric
slide do all sorts of ridiculous things that are meant to show them, hey, look
how bad I suck at this, but it's fun as hell anyway, and who cares how ridiculous
it looks?? It hurts my heart when my oldest refuses to do something she might
like because she's afraid of getting teased. Afraid to fail. The coolest people
I've ever met were the ones who just did what they wanted to do and didn't give
a shit WHO laughed. They did it because it was something they wanted to do,
something that they thought would be fun. THAT'S the lesson I try to teach my
kids. . . and I'm very much aware that it is that lesson I need to force myself
to learn.
The reason
for writing this:
These
thoughts occur to me periodically, but typically at someone's prompting. I
added a friend recently who has been asking me (repeatedly) why I don't write.
And so of course, I thought about it again. All the old reasons that more or
less boil down to fear of failure. And contrary to SOME people's opinions, my
ego is not nearly as big as I like to PRETEND it is.
